When I was in college studying Art History, I found myself consumed with wanderlust. I dreamed of seeing the masterpieces I viewed on slides in person instead: works at the Uffizi, the Prado, the Hermitage, the Met and hidden in tiny towns throughout the European countryside. By the time I began working in the contemporary art world—with its constant schedule of art fairs and biennials across the globe—traveling became intrinsic to my career. From rising early to see Giotto’s Scrovegni Chapel in...
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